2 hours Ago By Neal Zoren
One story I never tire of telling is how Channel 6 assured Philadelphia would have a Thanksgiving Day Parade, even as retailers who originally sponsored it faded from the local scene. I mention Channel 6’s place in Philadelphia Thanksgiving history annually because it marks one of the all-time greatest rescues of a local tradition by a local media giant. Thursday, that tradition continues as “The 6 ABC Dunkin’ Thanksgiving Day Parade,” begins its 105th annual march — 39th under Channel 6’s aegis — at 8:30 p.
m. featuring its usual assortment of balloons, marching bands, celebrity performances and floats. Dunkin’, as in Dunkin’ Donuts, has been Channel 6’s primary partner for 14 years.
Channel 6 news folk Rick Williams, Cecily Tynan, Adam Joseph, Karen Rogers and Alicia Vitarelli will serves as hosts of event: Williams and Tynan from the main Benjamin Franklin Parkway broadcasting booth, the others from the parade route which starts about 16th and the Parkway and leads to the Art Museum. Headlined guests include “Abbott Elementary’s “ Lisa Ann Walter, “Wheel of Fortune’s” Ryan Seacrest and Vanna White, “Live!’s” Kelly Ripa and Mark Consuelos, ubiquitous TV host and panelist Carson Kressley, and “Good Morning America” weather anchor Sam Champion. Pop music acts appearing at the parade include my lifelong favorite Darlene Love, Matteo Boccelli, The Sugarhill Gang, Kathy Sledge, The Sharpe Family Singers, CeCe Peniston, The Funky Bunch, Wé Ani, and the former Ladies of Chic.
Performers from Ensemble Arts Philly touring shows are featured as well as the Walnut Street Theatre’s current production of “Elf,” the Philadelphia Orchestra, just back from a tour of China, Eddie Bruce and the “No Name Pops,” and the Philadelphia Ballet, now doing their annual rendition of “The Nutcracker.” Of course, some creatures known as Mickey Mouse, Minnie Mouse, and Santa Claus make dramatic appearances. ‘Anastasia’ at the BCP Until Al Blackstone was asked to choreograph a production of “Anastasia,” a full-fledged musical based on 1997 animated version, he didn’t realize how much dancing the show required.
“I thought it needed a ballet scene and some period dances,” he said. “Once I began working on it, I realized everything in ‘Anastasia’ is a dance,” said Blackstone, who, at the time we spoke was heading to the final rehearsal of “Anastasia” at New Hope’s Bucks County Playhouse, where it will run through Sunday, Jan. 25.
“There is so much music to work, and it’s by Lynn Ahrens and Stephen Flaherty, so you know it’s fabulous, but more than that, (director) Eric Rosen’s concept is the music of a memory, so dance serves to illustrate the moment and where the characters are. “It gives us liberty to invent as the show moves from Imperial Russia to Paris, to which the Russian nobility flees following the Revolution.” Russian sequences can range from folk dances to formal ballet.
The Paris the refugees inhabit is one of class. Blackstone says his personal experience helped in conceiving the movement for both settings. He had worked on a production of “An American in Paris,” which though set in a later period, provided a sense of the sophisticated Parisian milieu.
His grandfather had emigrated to New York from St. Petersburg, Russia, at the time of the Revolution. “I was aware of the different stations and scenarios in the characters’ lives,” Blackstone says.
“There’s a lot of range because some of the emigrants are members of the aristocracy while others are from the working class. “There turns out to be so much to explore in this show, I’d like to do it a third time.” Asked whether it is more difficult to work with a vehicle that was originally an animated cartoon, Blackstone said it presents some challenges.
“We ask ourselves how we deal with such a situation, dealing with what it is before us but finding an effective way to make to bring out the dramatic reality of a situation, the human reality of it.” Blackstone came to prominence as one of the choreographers on “So You Think You Can Dance,” for which he received two Emmy nominations and earned one 2020 Emmy. “So You Think You Can Dance” was all about dance.
It wasn’t concerned with celebrity or the process that led to the performed dance. “The language of dance was the priority, so the show became a great place to exercise creativity,” Blackstone said. “An atmosphere was created in which anything seemed possible.
” Blackstone knows a lot about performing. His parents owned a dance school near Point Pleasant, N.J.
“They just closed it after 45 years. Besides all of the training, my mother would take us out of school on Wednesday afternoons, so we could go to Broadway and see all of the musicals. That, as much as anything, made me want to be involved with the theater.
“I remember the first show I saw was “Joseph and the Amazing Technicolor Dreamboat.’ It excited me so much, I wrote a letter to everyone in the cast. In time, I saw how dance is an integral part of storytelling.
” Now in his 40s, Blackstone says dance and music remain a huge part of his life. “I don’t know how to do everything. I don’t want to do everything.
I know who I am and what I’m programmed to do. And, of course, I’m still learning. “The music that interests me the most is the Great American Songbook, the wonderful songs by George Gershwin, Cole Porter, Irving Berlin and their contemporaries.
Musicals are often composed with that style of music, which is why I enjoy working on them so much.” Peacock’s ‘Jackal’ show to die for Being so used to whole series streaming at once, it is difficult to deal with waiting a full week for a new episode of a show. Peacock’s “The Day of the Jackal” is worth it.
Eddie Redmayne plays a highly paid, highly talented professional assassin. Watching him set up the first kill of the series is engrossing as both actor and the situation are fraught with tension. The Jackal is the bad guy, but Redmayne’s charm and talent, and his character’s skill and poise make you root for him despite the international political mayhem he causes with each precise kill.
The series is smart enough to let us see various aspects of The Jackal — as a family man, as a lover of nature — that enhance our like for him. Also, his main adversary, an MI 6 agent played by Lashana Lynch, is heavy-handed in her tactics and never becomes as likable as Redmayne, let alone becoming someone to root for. New episodes appear on Peacock every Thursday.
You can binge-watch those that have aired already. Kudos for WIP post-game team Throughout the Eagles season, the post-game commentator I look most forward to hearing is former Eagle wide receiver Jason Avant, whether he’s conversing with Rob Ellis on WIP (94.1 FM) or Don Bell on Channel 3.
Avant is candid and knowledgeable in a way that illuminates the game he’s s discussing, the plays he’s dissecting, and the players he’s praising or questioning. He brings a polished expert’s perspective to whatever he’s saying while being a sharp, observant, and fair critic of the game he, Ellis, or Bell is taking apart. That Rob Ellis and Don Bell, in their individual ways, rank among the best sportscasters in the market, is a head start to their success working with Avant.
Ellis is always rational and, while stating opinions firmly, he listens to callers, explains his views calmly, and introduces ideas you haven’t heard all day on earlier programs. Bell is playful, the guy who applies a good-natured point of view to his reporting and is the life of the broadcasting party while remaining prepared and able to get down to business. Bell also has a worthy pre-game partner in Channel 3’s Pat Gallen, who seems nonchalant in approach but knows his topic thoroughly.
Another who’s impressed recently is Channel 29 sportscaster Breland Moore. I enjoyed her take on the Eagles-Commanders game of Nov. 14.
I also noticed that see chose as her “player to watch” in terms of being significant to the game at hand was a defender, Eagles safety Reed Blankenship, who came through with a timely interception of a Jayden Daniels pass..
