has a simple message for anyone who might seek to use AI to replicate and exploit his songwriting style: “There’s no money in it!” While a number of prominent musicians - Nick Cave, , John Lydon and among them - have expressed grave concerns about what the relentless march of AI technology might mean for the arts, creatives, and humanity as a whole, Costello is cheerfully unconcerned about the possibility of his songs being plagiarised by nefarious forces in the future. “Nobody wants to be me anyway,” he tells in a new [paywalled] interview, “so I don’t see them conceiving of an algorithm that’s specifically trying to track me down. That ain’t gonna happen.
There’s no money in it! Trust me on that. I live in a different universe to AI. So they can get on with that whole fantasy – get on your rocket ship and don’t fucking come back!” The 70-year-old singer/songwriter might have fistfuls of classic songs to his name, and a loyal, adoring fanbase, but he insists that he's no longer competing in the mainstream music industry.
“I’ve been out of the pop music business for 40 years,” he maintains. “A lot of people think there’s nothing past [1979 single] , or they just didn’t hear it. I’m not sentimental, and I’m the least nostalgic person you’ll ever meet.
I don’t want to go back. I lived it once, that was quite enough, thank you.” Asked by The Telegraph's Chief Music Critic Neil McCormick what kind of musician he might become if he was starting his career in 2024, Costellu replies, “Strictly speaking, I don’t think I’m a musician now, after all these years.
” “That’s not false modesty,” he continues. “I wouldn’t get hired to be in anybody else’s band, put it that way. I’m a writer who uses music as the carriage to get the things over.
If I was starting now, perhaps I would be less encouraged.” Sign up below to get the latest from Classic Rock, plus exclusive special offers, direct to your inbox! “He soars, swoops and divebombs his bandmates..
. two of whom quit shortly after”: 10 of Chris Squire’s mightiest musical moments "Paul was read the riot act, and given the chance to put things right. But he didn't put things right": The story of Iron Maiden - the Paul Di'Anno years Watch the visualiser for Michael Schenker and Axl Rose's epic cover of UFO's Love To Love A music writer since 1993, formerly Editor of Kerrang! and Planet Rock magazine (RIP), Paul Brannigan is a Contributing Editor to Louder.
Having previously written books on Lemmy, Dave Grohl (the Sunday Times best-seller and Metallica ( , co-authored with Ian Winwood), his Eddie Van Halen biography ( in the UK, in the US) emerged in 2021. He has written for Rolling Stone, Mojo and Q, hung out with Fugazi at Dischord House, flown on Ozzy Osbourne's private jet, played Angus Young's Gibson SG, and interviewed everyone from Aerosmith and Beastie Boys to Young Gods and ZZ Top. Born in the North of Ireland, Brannigan lives in North London and supports The Arsenal.
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Elvis Costello couldn't care less about his songwriting style being plagiarised and exploited by AI in the future. “Nobody wants to be me anyway!”
“I live in a different universe to AI," legendary British singer/songwriter Elvis Costello maintains, advising songwriting thieves from the future to go back on their rocket ships