2 weeks Ago
ASAP Rocky and Puma are back with something wild. The Puma Mostro Disccords has officially been revealed as Rocky’s first signature sneaker with the brand, and it’s nothing short of aggressive. Built on the legendary Mostro silhouette, this new version takes things even further.
Spikes, gloss, and an all-black body give it a futuristic, almost dystopian look. It’s loud, sharp, and proudly strange: just like Rocky’s vision . The Mostro has long been one of Rocky’s personal favorites, and this time, he wanted to make it his own.
The sneaker keeps the classic Disc System from the 90s, but with new textures, exaggerated proportions, and a fully blacked-out finish. According to Puma designer Jon Tang, the shoe channels a blend of gothic influence, nostalgia, and unconventional experimentation. It’s not designed to be clean or predictable.
It’s built to provoke and evolve. The timing of this release also carries weight. While Rocky was recently acquitted in a high-profile firearm case from 2021, the energy of that chapter still lingers in his work.
It adds edge to the design, like tension molded into rubber. Read More: The Air Jordan 1 Low “Brown Pink” Is Ready For A Sweet Drop Image via Puma The Puma Mostro Disccords features a spiked black rubber outsole, mesh inlays on the upper, and the original Puma Disc System from 1991. Exaggerated curves and molded grooves give the silhouette a sculptural feel.
ASAP Rocky’s logo appears on the tongue and dial, adding personal flair to the already striking design. Every detail speaks to gothic aesthetics and bold innovation. Images are out now, and the pair already looks like a collector’s piece.
Rocky’s Discords are weird in the best way, blending form and attitude like no other sneaker out right now. From Harlem to Herzogenaurach, this project reflects both Rocky’s roots and his current creative edge. This isn’t just another collab.
It’s the start of a new Puma era with ASAP Rocky leading the way. Read More: Air Jordan 1 High OG Rare Air “Cinnabar” Releases Tomorrow.
